Showing posts with label triangle. Show all posts
Showing posts with label triangle. Show all posts

Wednesday, September 16, 2009

review: Hear Here: The Triangle Various NC artists



Hear Here: The Triangle
WKNC and Terpsikhore Records and Flying Tiger Sound
Various North Carolina Artists, 2009

Compilations are always a weird beast to review, because well, they are disjointed by their very nature. There is not supposed to be continuity, only fresh revelations. It's hell to listen to, because I have to keep referring to the tracklisting just to see which song is going. But none of that is the fault of Hear Here because it does what a comp is supposed to do--introduce excellent new music. But Hear Here takes it a step further and does not just throw a bunch of songs on a disc, but asked all of the bands included to record an original song. And we're not talking slouches. Here's a new Rosebuds single, a new Love Language and Birds of Avalon single, something from Annuals and Terpsikhore Records spin-off band, Sunfold. And Lonnie Walker, Hammer No More The Fingers, The Never are like old nearby friends--it's always good to see them in the neighborhood.

All of the bands are from the Triangle area of North Carolina, an area that is being flooded with good music. But the good kind of flood. There is a serious revolution going on there; it's no joke. In fact, it's easy for me to name another 6-8 unsigned/independent bands that should've been on this comp, that could have created an equally as satisfying mix of music. Hit up this and this for a few examples. So there's no Bellafea, no Midtown Dickens, no Red Collar, no Aminal, no Megafaun, no Bowerbirds. Only one Trekky Records band. But then, this comp succeeds in introducing me to yet another wave of bands that are now on the totally awesome list, like Motorskills. Their song "Right As Hell," sounds like it was a Thom Yorke B-side, which in this case is a good thing. They do not copy Thom Yorke, they embody him, or at least a really air-tight compact version of something he might do. The Kingsbury Manx also offers a gem with "Custer's Last Stand" as they take a new surf music approach to a U.S. western showdown.

A friend of mine told me it was a big deal that Colossus had a new song on here, as they're an older-type metal band who are getting back together for a few shows. So the song is a good welcome back gesture.

I was pleasantly surprised by the Americans in France track, their snotty, dirty garage sound is finally endearing to me. Also surprised by the track from The Never. Called "Littlest Things" it doesn't veer far from their previous work, but it does incorporate some gentler, quieter parts than I'm used to with their music--usually it's so quick and poppy, whereas this is simple and understanding rather than on a sugar rush. It's good for them and their harmonies on this track soar.

There are several hip-hop/rap songs on here from bands like Kooley High and The Beast that I can't really comment on because I have no knowledge of them or other groups that may be like them. With that said, I guess I will comment--I enjoyed "My People" by The Beast.

This disc is worth picking up and knowing about because knowing is knowledge in case anyone was wondering. Track list is after the jump...



Track List:

1. Lonnie Walker, “Feels Like Right”
2. Kooley High, “Can’t Go Wrong”
3. The Love Language, “Horophones”
4. The Never, “Littlest Things”
5. Colossus, “Sunglasses in Space”
6. Birds of Avalon, “Telepathic Creep”
7. Hammer No More The Fingers, “The Visitor”
8. Motor Skills, “Right as Hell”
9. The Kingsbury Manx, “Custer’s Last Stand”
10. Blount Harvey, “The Three”
11. Static Minds, “Time Bomb”
12. The Beast, “My People”
13. Americans In France, “No Love for a Prophet”
14. Inflowential, “Sheriff”
15. The Old Ceremony, “Gone Go the Memories”
16. Sunfold, “Weeping Wall”
17. The Rosebuds, “Brad Cook is Not Your Man”





More after the jump...

Monday, August 17, 2009

review: Nathan Oliver--Cloud Animals



Nathan Oliver
Cloud Animals
Pox World Empire, 2009

Nathan Oliver: "French Press"


Cloud Animals is a mix of folk, modern rock, and synth goodness to make a diverse palette of selections. There are some uneven parts here, many of the songs don't really resemble the one that came before it. But they make a whole. A great whole.

The opener carnivalesque "Icicles for Fingers" has this fanciful plucky swing vibe, the bass line keeps its strong and the vocals from Nathan White maintain an edge of playfulness and sarcastic danger. Really, it's an interesting track to include in the context of the rest of the album--it's crazy device is never repeated nor really even hinted at. And, well, it's chilling. But the rest of the album has thrills, spills and melancholia to settle everyone down.


Because the second track
"Under Lock and Key" launches into driving modern rock before ceding to more typical lighthearted folk in "French Press" complete with a high-strung chorus and high-key guitar chords. Nathan Oliver tries on different skins with these songs, moving around a bit to find the best fit. Maybe part of it is that the band lineup changes and essentially revolves around Nathan White. He's got varied tastes and is trying them all out.

Further dalliances include my two favorite tracks: "Playground Lies" and "Red Panda." Deeper grooves with some electric flourishes dashed over them. "Playground Lies" has this wide open bridge and chorus, grandiose in its scale and scope with this heartland naivete, before moving into brooders in "A Dark History" and "Alone in a Fog," taking their own garage rock/shoegaze acoustic plunge. But with all these, there does seems to be some folk-sian narrative, nothing here is churned out completely as a single of the week.

All of that is almost thrown out the window, with "Red Panda" though. It's got this fluid danceable breakdown, that if the song were in isolation, would make indie-rock crushes like The Pains of Being Pure at Heart and Vivian Girls blush. But really, it's only one song, the most frustrating, the most appealing, the most out of left-field that just proves that Cloud Animals really is a carnival.

I have no doubt that Nathan Oliver could throw a bunch of those dance hits together, stack up the indie accolades and then take a bow. But it's only one skin, and Nathan Oliver is still moving through them, like a confused chameleon who happens to look good at whatever is tried on.

But it's okay, Nathan Oliver. We're all willing to wait and grow and laugh and find out with you. Keep doing your thing. We've got all of Cloud Animals to keep us company.

For more Nathan Oliver, check out our list of 5 More North Carolina Bands You Should Hear Now.

More after the jump...

Tuesday, June 16, 2009

review: Lonnie Walker's These Times Old Times w/ tour dates & vid




It was a name whispered in my ear..."You gotta hear Lonnie Walker." Then Brian over at Bootleg mentions them and books a show. Huh. Then the Ninja Patrol starts it up. And finally I get to hear the Lonnie Walker goodness. Man, he's good. Oh, snap! Not a one-man band anymore, and no one was ever named Lonnie! Ho Ho Ha Ha! Made up of originator, Brian Corrum, Lonnie Walker's new disc got to me the old-fashioned way, making me savor its tasty delights. For These Times Old Times the debut by Lonnie Walker is amazing, great and wonderful, wham bam, thank you ma'am. Lonnie Walker is the apex and culmination of the cultural momentum, one that includes alt-country (Lucero), another one that includes folk-punk (Against Me!/Avett Brothers), and another that loves everything Tom Waits. This is the album that makes every other alt-country band wannabes turn their heads and pick up hardcore again. Because Lonnie Walker does it right and does it true.



"Compass Comforts" with its crowd-pleasing Dixie punk-stomp and fast-pickin. And another that can't be denied is "Summertime." Its quick spittle about corndogs and "wasting gas to go fast in reverse" is the transcendent traditionally structured song that all the kids will love and "Pendulum's Chest" will woo the critics, just as Dead Confederate did last year. With backing from The Annuals' Terpsikhore Records, Lonnie Walker is that amazing awesome thing to burst forth from North Carolina that you will now go and tell all your friends about. You will, yes you will. Tour dates and a vid of "Pendulum's Chest" below.

Jun 16 Charlottesville @ IS Venue w/ Motel Motel
Jun 17 Richmond @ The Triple w/ Motel Motel
Jun 18 Greensboro @ Green Bean w/ House of Fools(acoustic) and Motel Motel
Jun 19 Chapel Hill @ Local 506 w/ House of Fools and Motel Motel
Jun 20 Greenville, NC @ Spazzatorium w/ Howlies, House of Fools, and Motel Motel
Jun 21 Wilmington, NC @ the Soapbox w/ House of Fools and Motel Motel **Bootleg Mag Show**
Jun 22 Charleston, SC @ Ashley Street House
Jun 23 Atlanta @ Criminal Records
Jun 23 Athens @ GoBar (w/ Werewolves, Trashcans)
Jun 24 TBA Sumwarsin, Tennessee
Jun 25 Knoxville @ Pilot Light
Jun 26 Asheville, NC @ New French Bar w/ Nat’l Geografics
Jun 27 Charlotte @ Dugg Dugg Gallery w/ Nat’l Geografics





More after the jump...

Friday, June 5, 2009

New vid: Hammer No More The Fingers "Fall Down, Play Dead"



Was looking for a reason to write about Hammer No More The Fingers (HNMTF) again, so here's a good one. The alt-grunge-power-rock trio from Durham, NC just let out on all of us unsuspecting souls a new video of "Fall Down, Play Dead." The song is from their new record, Looking for Bruce out on Church Key and recorded by J. Robbins. This is one of those songs that makes you yell: "Tight rhythm section! Tight rhythm section!" and "Oh, awesomeness is here!" Don't quite get the moving mobile device/concert poster conceit---but there's a nice teaser at the end that says "To Be Continued." One day, one glorious day, all these great mysteries of HNMTF will be explained!

This song reminds me of that one time I was watching HNMTF and the owner came in and shut them down for being too loud and Duncan wore the cheesiest neon-patterned shirt I had ever seen and I had thought I had died and gone to indie rock/basketball heaven because I could simultaneously watch the band and the Eastern Conference Finals on the biggest, nicest flat screen ever--and I was only like 5 feet from both of the action-filled events. Wait, that was last weekend.

Here are some more dates for the band--they play all the freakin' time so hear them or book a show for them.

Jun 5 2009 ASHEVILLE, North Carolina @ New French
Jun 6 2009 COLUMBIA, South Carolina @ The Whig
Jun 12 2009 WINSTON SALEM, North Carolina @Wherehouse
Jun 13 2009 PITTSBORO, North Carolina TRKfest @ Piedmont Biofuels
Jun 15 2009 HIGH POINT, North Carolina @ NCBF
Jun 19 2009 CHARLOTTE, North Carolina @ Tremont w/ Lights Fluorescent More after the jump...
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